Szubverzív anakronizmus a művészettörténetben

Subversive Anachronisms in Art History– The Case of Magical “Socialist” Realist Painting –
 By using the term „subversive anachronism” I mean to invoke Georges Didi-Huberman’s concept „sovereign anachronism”, which is itself product a montage theories. Following Walter Benjamin and Aby Warburg, Didi-Huberman constructs phenomenon intellectual historical sense, frees anachronism from its negative scientific connotations. In this spirit, anachronistic associations artists, aesthetes art historians can critique destabilise existing social, political aesthetic order. Tibor Csernus his best-known ‚followers’ history Hungarian art, László Lakner Gyula Konkoly, were described early their careers as surrealist naturalists magical realists, respectively. Magic realist painting based on hybridisation different realities (real fictitious), while Csernus, Konkoly adapted German American magic interwar period reality socialist realism. superb way, adaptation mixed together ideologies visual cultures periods chronotopes (early Lowland painting, Dutch Baroque Realism, Realism between two world wars, French Surrealism, Abstract Expressionism Pop Art, Socialist Realism)
 Keywords: critical iconology, avant-garde, realism, montage, Didi-Huberman, Lakner,